HMC Board of Directors

The Handbell Musicians of Canada Board of Directors

Chair	Annie Hergott	Calgary, AB
Past-Chair	Ellen Ramsay	Pentiction, BC
Chair-Elect	John Whitehead	West Kelowna, BC
Secretary	Lisa Kyriakides	Newmarket, ON
Treasurer	Kathy Bellamy	Calgary, AB
Membership Secretary	Kathie Zalasky	St. Albert, AB
Director-At-Large	Lynn Boothroyd	Dartmouth, NS
Director-At-Large	Cheryl McFarlane	Cobourg, ON
Director-At-Large	heather nicholson	Ajax, ON
Director-At-Large	Emmy Okazawa-Bortolin	Edmonton, AB
Director-At-Large	Natacha Sanson	Edmonton, AB
Director-At-Large	Jim Winslett	Calgary, AB

Musings From the Board

Kathy Bellamy - Treasurer

Music has been a part of my life since my early childhood days.  My mother taught me to sing parts in a choir and I eventually played piano and organ, as well as a baritone in our school choir.  Royal Conservatory exams were too far away so I never completed any of their program but found a lot of enjoyment playing for church worship, choirs, at weddings and other special events.

I grew up and worked in a part of Saskatchewan where handbells were only experienced on a rare occasion.  Sadly they were not part of any nearby school curriculum or church programs.  I was fascinated to attend a post COVID concert, presented by Bell Amente in Vernon BC.  I was fortunate to fill one of their openings and set about learning as much as I could in as little time as possible.  My musical background allowed me to ring different bells as choir members were away, I enjoyed that but I laugh and say it made my brain hot.  Sight reading is both a gift and a curse!

At this stage in my life I realize learning new things is important.  I look forward to meeting new people, playing new music and sharing our talents.  It is exciting for me to find something I love now, perhaps when I need it the most.

In my first year with HMC, I see nothing new to add to the vision stated.  I do think after some time serving and being a part of HMC that could be different.  I need more knowledge and experience to understand where change and growth may be possible.

Thinking of a board role as treasurer, my first priority would be to ensure HMC accounts are secure, with all activity reported to the board, and to the government as required.  I would provide the best oversight I could related to spending and investing.

To continue with the purpose of advancing the education and appreciation of handbells would be my second priority for the board. Each activity and task is needed to maintain and further HMC's role in handbell music in Canada.

My third priority isn't something you can write down and place a checkmark beside. There is a certain magic in handbells.  Is it the sound or the sight or the fact that we all need each other to make beautiful music? Is the magic found in education or networking or ringing, or all of the above? Somehow I don't want that magic to be lost, and if it can be kept by board oversight, education, programs or sponsorships, then I consider the board to have done their job!

Lynn Boothroyd - Director at Large

I seem to have this river of music running through my life. I grew up with two musical parents. I did all the usual – school & church voice choir, piano lessons, band, 2 music degrees, church music director, UC Voices United songbook team, taught piano, cappella quartet and taught school music in several provinces. Then, in my early thirties my husband was transferred to Germany, and for the first time ever I heard handbells - a six octave handbell choir from the USA giving performances while touring. I was captivated.

My name is Lynn Boothroyd. I am one of the newest members on the Board. I love directing handbell choirs, teaching technical skills, subbing for other choirs, taking my choirs on the road to Festivals in Canada & the USA and to ringing opportunities in my community. I am a past President of OGEHR and began The Directors Roundtable for handbell directors in eastern Ontario.

Bells are such a deceptively easy instrument to ring. You get the right note every time. Anyone can do it. But the more you ring, the more you learn about these beautiful instruments and how to make beautiful sounds, in so many different ways. And unless you are a solo performer, it is an instrument where you make music as a team, learning to work together, to get beyond the notes, into making music. And in the process, you make amazing friends.

And I know this firsthand, from all my travels with bells. I just moved to Nova Scotia after spending 35 years in Ottawa. And the first thing I did was to contact the handbell choirs, where I am now ringing with new choirs. Instant family!!

Annie Hergott - Chair

There is something magical about ringing handbells, and ringing this incredible instrument successfully as a team is exceptionally satisfying.

Since I started using handbells as a part of my music education programs in schools and communities, I haven’t ever thought of stopping. Ringing is simply great for team and community building, as well as for music learning and skill development. I continue to be enamoured with how ringing bells enhances our own (and our audience’s) aural experience with the visual movements we make. It’s putting sound into space, showing the music as we ring.

Over the years, I’ve enjoyed all aspects of ringing, in front of the table directing, as well as behind and off the table. I love to introduce others to this fantastic activity and volunteering my time to the Handbell Musicians of Canada is an extension of this passion.

Lisa Kyriakides - Secretary

You Look Like You Are Having Fun!

I love making music, but especially making music with other musicians! It’s part of my DNA! We all know that making music is HARD WORK! It takes time, dedication, practice, and know-how. My name is Lisa Kyriakides and I live in Newmarket, Ontario. I have been a musician all my life – as a teacher, conductor, performer, and clinician. I started getting involved with handbells about 12 years ago and haven’t stopped since. I direct 2 handbell choirs, a vocal choir, perform in several handbell ensembles and am heavily involved with our Provincial Handbell Guild (OGEHR).

Now I want you to think about something for a minute. When you and the ringers around you are performing, what does the audience see? Do you look like you are enjoying yourself, or do you look very serious, with your head buried in the music? What impression are you leaving with your audience members? Are you communicating with them that making music is a joyful experience?

I talk to my ringers and singers about this issue all the time. I have told them that one of the best compliments I can receive when I am conducting or performing is when someone tells me I look like I am having fun. In fact, I told one of my choirs to smile (or at least not frown) so often, that for one rehearsal, they all showed up with smiles pasted on popsicle sticks that they could hold up in front of their faces. Too funny!

Music is all about communication with your audience. Handbells are such a visual instrument with great potential to convey the musical message through movement. Next time you are ringing, try and think about what your audience is seeing. Will someone come up to you after your performance and tell you they enjoyed watching you perform? I hope so!

Cheryl McFarlane - Director at Large

I was a child when I first saw my cousins from Peterborough, Ontario ring handbells in church one Christmas. I remembered being instantly spellbound, thinking how lucky they were to be playing an instrument so cool and beautiful as that! That attraction and feeling of desire to one day ring myself remained until my home church started a handbell program in 2010. Since then, handbells have become my happy obsession!

I have been fortunate to have rung with amazing mentors, directed a youth handbell choir, dabbled in conducting, travelled to many Provincial and Area Festivals, National Seminars, the International Handbell Symposium 2016, and at the Great Christmas Ring at Carnegie Hall NYC in 2019. I have served on the Ontario Guild of English Handbell Ringers Board of Directors, acted as OGEHR Central-East Area Representative, planned workshops, Area Playdates and Masterclasses, having a special interest in program development, bringing people together and promoting the art of handbell ringing. Most recently I have become captivated with Belltrees and was honoured with being the Forest Ranger organizing a magnificent 19 membered Bell Tree Forest at the 2023 OGEHR Festival.

I am a handbell membership hobbyist holding international memberships in addition to my home province, to satisfy my curiosity and interest into what fellow ringers are doing around the world. Whenever I become involved to support, plan and promote handbell ringing, I am always reminded handbell people are some of the best people, and when we get together and share ideas and thoughts, AMAZING things start to happen and develop for all!

Emmy Okazawa-Bortolin - Director at Large

The music you hear with your eyes

Despite starting piano lessons “later” than the typical child (because apparently I had “no potential to play the accordion so might as well send her to piano lessons” - please don’t ask, but the accordion was my father’s dream lol), I went on to become a life-long musician. When I met my first handbell in 1984, I had already been a private music teacher for over 10 years and had played in bands and orchestras for over 8. The concept of a musical instrument that required more than one pair of hands to play it absolutely intrigued and fascinated me.

Since then, I have enjoyed learning everything about bells and sharing my knowledge and passion with others from both sides of the table to the business end of governance and event management including everything from youth, provincial, national festivals, and international symposia. I coordinated the first Canadian IHS in 1992 in Edmonton and represented Canada as its Massed Ringing Conductor at IHS 2012 in Liverpool. (Aberdeen 2026 will be the 10th IHS I have attended!) I have been privileged to be guest conductor at the SingBellz National Handbell Festival in Singapore (2011) and at the 35th English Handbell Festival in NYC (2013). A long-time Board member of both ALGEHR (Alberta Guild of English Handbell Ringers) and HGC (Handbell Guilds of Canada) Boards in various executive roles as well as part of the founding Interim HMC Board, I have also enjoyed serving as handbell specialist and in-house clinician for both Calgary school boards for over a decade as well as workshop clinician and music festival adjudicator across Alberta and Canada.

Because my accordion-loving father convinced me I could never make a living as a musician, I dabbled in a variety of careers ranging from teaching French Immersion, Japanese and fitness, travelling the world to recruit international students to professional fundraising while living in 10 different homes across 4 provinces. Currently I serve three different Boards where I offer my business acumen (MBA) in operations management and expertise in philanthropy and fund development. An aviation geek (yes, I went to Ground School!), a hiking enthusiast, a language nerd (I speak 4!) and fur-Mom to the goofiest Bernese Mountain Dog, I am a true-blue Gemini who gets distracted easily and as such, am interested in everything! Throughout it all, music has remained the one constant and stable aspect of my life. While I find nothing more satisfying than nailing an especially challenging musical passage (with stand-mates who feel like just an extension of you), my true love is small ensemble or solo ringing where performances can become a true delight for the eyes as well as the ears…because if you ask me, handbell ringing, after all, is the music you hear with your eyes…

Ellen Ramsay - Past-Chair

I began ringing handbells as a teenager and have been hooked ever since. Though I’ve been fortunate enough to visit most corners of this diverse country – mainly due to the various handbell festivals, workshops, and symposia I’ve attended over the years – my home base in is Penticton, BC.

My favourite part of handbells is the sense of connection it fosters on so many different levels. There’s the connection between the body that produces the sound, the mind that reads the notes on the page, and the heart that interprets and expresses the music. There’s the connection between the audience and the musician, that special energy that vibrates through the concert hall during a performance. There’s the extra special connection that happens when a gathering of ringers all inhales at the same moment, and exhales the marvelous music that comes out of the cohesive, whole artist that they collectively become.

And even more special is the connection that forges instantly wherever I am in the world whenever I meet someone new and they say, “You ring bells?? Me too!”

John Whitehead - Chair-Elect

John Whitehead (MA, PCC, CEC) is an experienced leader, facilitator, and certified coach with over 40 years of senior leadership and management experience. John has held senior operational positions with national organizations achieving significant recognition for his results. Along with his coaching practice John is currently a Corporate Trainer at Okanagan College, British Columbia, previously an Adjunct Professor at the Faculty of Management, University of British Columbia, Okanagan, and has traveled internationally including Europe and the Middle East facilitating leadership workshops.

Prior to starting to ring with the Alleluia Ringers in Kelowna, BC in 2006, John’s introduction to the art was via his wife, then girlfriend, Nikki Attwell, where he became the "roadie" for the Bellissima Ringers in London, On. Since then, John has attended 4 international Symposia (3 as a ringer) and will also be in Aberdeen in 2026. John has served as President of BCGEHR and was a member of the initial interim board for HMC. In the non bell world, John currently sits as a director on the Greater Westside Board of Trade (GWBOT), was previously Board Chair at First United Church, Kelowna (now Central Okanagan United Church) and was a member of COUC's Ministry and Personnel Committee for over 10 years.

John believes that raising the awareness and stature of the organization across Canada is a priority. This is well on the way with its virtual events & planning for a national event, but what could cement it would be to have an inaugural, in person ringing festival. This will be one of John’s priorities for tenure as Chair. Another priority is to continue the great work of previous Chairs to bolster and strengthen the board, providing a strong resource for Handbell Musicians across Canada.

Jim Winslett - Director at Large

If this feels like déjà-vu, it’s because I was on the inaugural board of HMC and I wrote one of these musings back then.

I took a year off after my term was up to do some serious, post-covid travelling (15 countries!) and now I’m back home and jumping back in with both feet.

My handbell experience, which spans three decades now, also began with a “jumping in with both feet” feeling, as I was told by my church music director that we had been gifted a 3-octave set of bells and that I would be directing the group, since I was the only one with any handbell experience. (My “handbell experience” was a couple of hours at a church conference workshop once.)

Not knowing any better, that group ended up with a horrific performance schedule - we played Christmas services every other Sunday, plus every Sunday in Advent, plus Christmas and Easter concerts, and at least two festivals every year. I can imagine fellow directors picking their jaws up off the floor right now! It was insane, yes, but we loved it.

In my previous “musing”, I mentioned my passion for all things Lego, which along with handbells makes up 2/3 of my trinity of passions. The third passion is seeking out and riding every rollercoaster I can find.

Up here in Canada, it’s not as common to find people who are avid coaster enthusiasts unless you live near Canada’s Wonderland. I grew up in Houston (Texas), though, and we had a large amusement park of our own. In the summer of 1972, they opened their first adult-sized coaster with the oddball name of Dexter Frebish’s Electric Roller Ride. Dexter Frebish was an actual person who gained some notoriety by going down a ski jump in a covered wagon. If the name sounds familiar to you, it’s probably because there is a pop band called “Dexter Freebish” (yes, named after the rollercoaster) who had a minor hit a few years back with a song called “Leaving Town”. If you were a big fan of the band, you might’ve seen this photo on their website for awhile

That’s me, age five, with cousin Larry just before I took my first-ever ride on a rollercoaster. I learned two things that day:

1. I’m afraid of heights.

2. I’m afraid of coasters.

I don’t remember the ride itself, but I do remember looking over the side of the car about halfway up the hill and completely freaking out. The image of that landscape instantly blurring with tears is etched into my mind forever. The next thing I remember is my mom’s voice telling the ride attendants as we pulled back into the station at the end of the ride, “no, he’s not hurt, he’s just scared” as they all rushed to the car. Apparently, it was quite the scene.

That day actually also taught me a third thing: knowledge erases fear. I was amazed that this thing, this inanimate machine, could have such a profound effect on me. Why? What makes it work? Why doesn’t it fall off the track? Why are the biggest hills at the beginning? Who makes these things? How many are there? Are there different kinds?

In the early 70s, there was no internet, no Google, no way to find out things quickly. I spent the next three years digging up everything I could find and by the summer of 1976, I felt I was ready to try it again. After all, compared to some of the other coasters I’d seen photos of, this thing was nothing. I could do this. Besides, I was just five back then and now I’m nine years old, practically a grown-up! When the neighbours made a trip to the park in June of 1976 and invited me to go with them, I made up my mind that this would be the day I conquered my fear.

But wait. The park had a new coaster that year, a wooden beast that had already been labeled the #1 Coaster in the World (and it would keep that title for an astonishing six years straight). The neighbours wanted to ride that one, too. My mom told them to ride the old coaster first and see how I reacted, and if things didn’t go well, don’t push me to ride the big one. They agreed.

We headed straight for Dexter Frebish as soon as we got in the park and I reminded myself of all the things I’d learned. The ride scared me, but in a fun way, like a scary movie or a haunted house. I survived it. I even liked it a little. So we headed right for the new one

We got in, the ride started, and two minutes later my life was completely different. I still don’t understand why, but in those two minutes of absolute surrender, when you have no choice but to just relax and let the ride do what it’s going to do, I found peace and happiness and joy. I learned to block out everything - school, grades, homework, and whatever other things stress out a nine-year-old boy - and just live 100% in the moment.

I can still get that ‘zen’ feeling of living in the moment every time I ride a coaster, no matter how big or small it might be. In spite of the trauma-inducing beginning to this hobby, it has brought me countless blessings in the years since. I’ve had lots of wonderful rides, I’ve met lots of great like-minded people at coaster events, and I’ve experienced places and cultures all over the world in my quest to find new rides. As of this writing, I’ve ridden 929 different coasters in 19 countries. I write about some of them on my website, ellocoaster.com

Kathie Zalasky - Membership Secretary

As a child growing up in small town Alberta I desperately wanted to be in a band. Our schools were too small and didn’t offer that so I had to be happy with piano lessons until we moved waaaay up north and there wasn’t even a piano option. So…many years later at St. Albert United Church when Camille Ream asked if there was interest in a handbell group I leaped up for the opportunity to be on a team AND in a band! Yes! I’ve had the privilege to ring under Camille, Dr. John Hooper, and Debbie Rice; I am a founding member of Jubiloso! and I ring in our church choir, as well as directing there when the need has arisen.

Handbells are this old (ancient?) music instrument that tug at people’s heart strings when they hear them. They are easy to learn and take years to get proficient on. However, having said that, handbells provide an easy entry into a team music sport if you’re willing to invest the time into learning the techniques and figuring out how to blend with those around you!

I have collected symposia since I went to the International Symposium in Orlando and continue to be astounded at the friends I have gained through handbells. It’s kind of like what I would imagine a Star Trek convention to be like…….where did all these people with a similar interest come from?

It won’t be long till I’m looking for a “Vintage Bronze” group to ring with. I stand in admiration and thankfulness for all who have gone before me, who lead us, and who will carry us into the future!